When I bought the Rolls Royce they thought it was leased Icy as a hockey rink, Philly nigga I'm Flyer Got foreign bitches menaging, fuckin', suckin', and swallowin'Īnything for a dollar, they tell me get 'em, I got 'em No crawling, went straight to walkin' with foreign cars in my garage I go and get it regardless, draw it like I'm an artist They love me when I was stuck and hated when I was departed Of what we started, lil' nigga but I'm lionhearted I'm gettin' cream, never let them hoes get in between Nigga please before them triggers squeeze Got a shorty, she try'na bless me like I said, "Achoo" If you want it you gotta see it with a clear-eyed view It was time to marry the game and I said, "Yeah, I do"
See my dreams unfold, nightmares come true In the back of the paddy wagon, cuffs locked on wrists In a matter of time I spent on some locked up shit So I had to grind like that to shine like this I used to pray for times like this, to rhyme like this This would’ve been a great second album, but as the first it’s simply “ok.Ain't this what they've been waiting for? His emotion on each track will draw you in. Throughout, Meeks Lyrical content keeps the album interesting. The one word I would use to describe this album is ‘safe’: Meek doesn’t go too far outside his lane on it, and I like that. Meek attacks this beat like Russell Westbrook attacks the rim. It also has that whole ‘One mic’ feel to it, where it has two phases - a belligerent one and a very belligerent one. This might be one of the best intros in music history! On this song, Meek is hungry as hell, and the beat matches his toughness. (This is just one of those days I have nothing to say about his verse) Nonetheless, both of their verses are good. Here’s the catch, though, he’s being very disrespectful with his words.ĭrake raps similar to Meek on his verse, but he’s a little more aggressive in his content. The track has a very subtle church sound to it, but at the same time has this club bop to it that is hella infectious! On his verse, Meek raps with this braggadocios demeanor, as he describes the many ways our Lord and Savior has blessed him. Isn’t it hilarious how Jeremih has received little to no recognition for being on this song? I can definitely see Jeremih spazzing on MMG’s management like Roscoe did Kanye West! I ain’t gon lie, I love this song! I just hate the fact that all artists featured on it are almost making a mockery of religion! (I wonder if it was thunder-storming during the making of it?) On the real, I may have to do a background check to see how factual his claims are.
Rick Ross finishes it off with a hefty third verse in which he talks about his upbringing in the hood.
Nas has the second verse on this song, and he’s yapping quite a bit on it… Matter of fact, his part is a bit blah. His approach fits well, especially considering that two OG’s are also on the song with him. Meek Mill sounds like that ‘up and coming’ rapper that is thankful for his positioning on this song. John Legend sounds so great on this song! Matter of fact, he solidifies the greatness of it. This track should’ve been Maybach Music IV. It shows itself on this song, as they both genuinely sound hurt throughout this song.īackstabbing friends is worse than a cramp in your thigh. I feel like combined, both Mary and Meek have this passionate vibe to their artistry that is hard to ignore. This song is so deep, but you should’ve known it will be once you realized that dramatic ass Mary J.
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